“She’s my favorite.” ~The Broad’s mom

Kintsugi?  I hardly know ye!

Kintsugi? I hardly know ye!

I’m broken.

Or at least that’s what it feels like.

I feel like I’ve broken myself into shards, and I’m not sure where all the pieces are, whether they’ve poked anyone right in the eyeball, how to ask for them back, or how to put myself back together.

And once I am put back together, how to I smooth over all of the cracks so no one knows that I was ever flawed?

I got into a Google loop the other day whilst laying on the couch for the forty-seventh straight hour last weekend.

I wear listlessness well.

What can I say?  When there are too many imaginary reasons to mentally flog myself on the agenda, sometimes my brain escapes into the numbness of solving the Jonbenet Ramsey case while eating a Klondike Bar.

It’s my process.

Somehow, though, I came across one of the most beautiful things I’ve seen in a long time, and like all beauty, it presented itself exactly the moment I needed to see it.

I’m not sure if it still happens, (I mean who has time for this?) but way back when, the Japanese would do this thing when something they valued had become broken: they would repair the flaws with gold.

It is/was called Kintsugi.  

They would celebrate something having lived through a trauma without the grief of attachment to perception of what it was supposed to have been. That there was a story to a well used life meant that it should be highlighted.  The stories of each broken piece and their marriage to the next one would be shared generation to generation.

Can you imagine?  I’m pretty sure this practice was abolished in the US somewhere in the Constitution.  Probably before slavery was.

Please. We have been so busy putting spackle on our country’s trauma cracks in an effort to sell this beat up puzzle second-hand to the rest of the world that we haven’t the time to even possibly consider getting out the gold leaf and sharing our story of survival and remembrance with those that will come after us.  Which only means they’ll never learn from our accidents.

Why is it that we believe the only things that should be shared are the pristine?  Why is it that we duck our heads in shame the second we believe we’re not perfect?

And who defined that benchmark for us anyway?

My grandmother would have thought “distressed” furniture was for the people who lived “below the canal.” Or maybe it was “above the canal.” I don’t remember, and it doesn’t matter, because all of those families live together in Sycaway now anyway.

So here you are with your little broken Japanese bowl of a soul, resealed and mismatched, highlighted with a spiderweb of epoxy holding it together.

With the cracks healed in gold, the bowl is now a new thing of its own.  It’s not a just a repaired bowl, it has become something else entirely without definition.  Or rather, its definitions allow it to not be defined.

“That’s hot,” as the great twenty-first century philosopher, Paris Hilton, once said in 2005.

In seemingly unrelated news, I’m writing this in my living room, looking at a mosaic Turkish lamp that I love.  It’s beauty, by definition, comes from a million broken pieces of glass, stitched together into art. Someone else has actually put a price tag on the beauty of this lamp, but to have been built, someone had to break glass first.  I’m just saying...

The Japanese love this stuff.  They even have a name for it: wabi-sabi.  It’s the art of seeing beauty in the imperfect.  

They go even further (the Japanese are *so* extra) by insisting that nothing should be wasted, that nothing is actually flawed - they call this emotion “mottainai.”  And once the bowl is repaired, rely on their deep well of “mushin,” or the acceptance of change.

It’s almost too much.

Can you even imagine the idea of just acceptance?  The possibility that you’re not damaged goods? Or that you’re broken beyond the possibility of repair?  That you’re not someone who has to settle for being loved even with your broken edges, but to be loved because of them?

And, if that wasn’t enough, get this: in this whole Kintsugi thing, they sometimes take broken bits from another piece whose shards fit your damage perfectly.

Isn’t that nice sounding?

Imagine if your broken and jagged edges had a broken and jagged puzzle piece somewhere that when slapped together with a little gold made you even better than before?

I love the idea of not having to smooth out my jaggedness in order for someone to fit in there perfectly.

There’s another part of this, though.  It’s not just about having broken edges and finding away to glue yourself back together.  

It’s about the glue.

It can’t be all gold.  It’s not strong enough to hold things together, no matter how shiny and appealing.  

And it can’t be all adhesive, because it’s too rigid and stiff and becomes brittle as time wears on.

It’s sometimes a real hunt for the perfect jagged little shard, experimenting with the right mixture of glamour and substance, then allowing for time to tell you whether things will stay put.

But always - always - it’s about refraining from mixing your self worth into the glue.  That sticks to nothing, and it just makes a mess.

When we dream, it’s not of acceptance of our cracks or for excitement of the sharing of our stories, is it?  We dream each night and most of our days of perfection. A perfection defined somewhere else, and that feels as uncomfortable as wearing shoes too small.

What hurts is not the broken bowl, or the broken relationship, or the broken idea that you don’t look the way *she* looks on Instagram...what hurts are those shoes we were told we had to wear to be complete.

What hurts is the piling up of the broken pieces, pretending they’re not, then covering them up with a bunch of gold and trying to sell it to someone else as Waterford crystal.

By the way, thank you, thousands of years of Japanese tradition and culture, because holy tiny baby Jesus do I love a giant metaphor, and I’m so freaking lazy.

Our chronic perfectionism makes us take on debt to remove hair and add breasts.  It tells us that the bigger car/house/boat/vacation will be the gold that covers all the other cracks up.  It makes us settle in relationships that don’t feel like home. It shuts us off from the world when we tell ourselves that we are supposed to feel happy.  We preserve perfection in monogrammed towels and ornaments and social media pages as if that will keep things from rotting.

We refuse to acknowledge that the cracks and breaks are important.  That our cracks are gorgeous, and our story is the sole reason anyone wants to be near us ever.

I’ll leave us all with this completely infuriating and unsatisfying thought:  we do all have a story.

It’s as lame as that.  

We’re all cracked, and those are our stories.  The person that will be your person, by the way, is the one that wants to see your crack.


We all have been broken.  Sometimes we break ourselves, sometimes someone breaks us.  Sometimes our shards seem too sharp for it to be possible that anyone could hold us.  Sometimes it’s almost like we’ve been broken so much that there’s nothing but dust and glue left.

And that’s the point.  

Our pile of rough edges is beautiful for it’s brokenness and for its renewal.  Not one piece of the story should be thrown away. Nothing is wasted.

We should be so lucky to be cracked, because it means we have lived a real life, even if the breakup comes with tears.


Let me see your crack sometime.

Bagpipes, redux

Bagpipes, redux

Baseline Road

Baseline Road